She was the first woman accepted, after being denied admission several times, due to her gender, and faced discrimination as the only woman in the program. In 1896, with the encouragement of her Berkeley professor and mentor Bernard Maybeck, Morgan attended the École Nationale Supérieure des Beaux-Arts (French National School of Fine Arts) architecture program in Paris. This drawing is a prime example of Morgan’s attention to detail, not only as a seasoned architect, but also as a student. She would go on to design the organization’s residence in 1908, and those sketches are in the campus collection. Morgan was also a member of the university’s oldest sorority, Kappa Alpha Theta. “She was aware she was a woman doing unusual things,” McNeill said. The Environmental Design Archives contains Morgan’s handwritten notes from these courses, and McNeill said Morgan was likely the only woman sitting in a room filled with men. She began studying civil engineering as a second-year student. Morgan grew up in Oakland, attending local public schools, and was one of 100 women who attended the University of California in 1890. Those relationships would influence the trajectory of her career, said McNeill. She said Morgan was never an unabashed member of California’s women’s movement in the early 20th century.īut Morgan did navigate social networks of women who advocated for women’s rights throughout her academic years. program in history, has been a Morgan historian for over 20 years. Karen McNeill, who graduated from Berkeley’s Ph.D. “The documents we steward provide a window into the past - unfiltered access to documents created by Morgan herself and physical proof of her prolific career, skills, incredible hand, design development, structural knowledge and how she was integral in designing spaces for women to advance in society,” said Marino. Since 1959, community members, and Morgan’s colleagues and family members have donated to the archives’ Julia Morgan collection. It does so by collecting, preserving and providing access to primary records of the built and designed environment. The Environmental Design Archives is a non-profit research facility at CED that is committed to raising awareness of the architectural, landscape and design heritage of Northern California and beyond. Marino, who has worked at the archives since 2014, said that Morgan’s work, preserved in a secure, climate-controlled vault, includes project drawings, historic photos and Morgan’s academic work. The archives contain sketches and floor plans of buildings including the Emanuel Sisterhood Residence, now the San Francisco Zen Center Phoebe Hearst Memorial Gymnasium, on the Berkeley campus and El Campanil, the bell tower at Mills College in Oakland. ![]() ![]() (Photo courtesy of UC Berkeley College of Environmental Design Archives)įrom the more than 700 commissions Morgan worked on, around 100 were designed and constructed specifically for women. ![]() ![]() The archive collection has more of a focus on the architect’s projects. One of the only images UC Berkeley’s College of Environmental Design Archive has of Morgan.
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